Spinal Tap and my favorite live shows from Portland... aka... another weird Monday list...

OK, so I have a couple topics to discuss this week: the best/my favorite Spinal Tap songs and my favorite shows from my time in Portland, OR (which is not as expansive as you might think. Turns out there’s lots of venues, but not a lot of great one, and not a lot of great music in the city of Portland. College towns are better for mid-level artists. You know, the ones who are famous enough that we’ve heard of them and they’ve played enough shows to be amazing but not too big to phone it in at some “enormodome” type venue). With more than one topic (since I forgot to post this last week, you know, because I was moving into a new apartment and exploring the music scene in Charlotte, NC; so, fuck you) to get to, and already 5 Elijah Craig bourbons in me, let’s “get on with it” Monty Python style.

So, here we go. Here are my favorite Spinal Tap songs:

1) GSM (aka “Gimme Some Money” for the uninitiated)

Why is this song #1? Well, you probably figured that I would fucking tell you, didn’t you? It’s #1 because it’s the #1 song I’ve played from this movie over the years. Just as Spinal Tap used it to soundcheck (in Milwaukee, WI, no less! Go Brewers! Despite the fact they have been eating a dick lately…) with it, so did my band. I’ve played or fucked around in rehearsal with this song so many times, it’s basically a Bradley Wik and the Charlatans song by now. In fact, the producer/engineer/mixer of my first album “Burn What You Can, Bury the Rest…,” Rob Stroup, used to also play this with his band. Kinda part of the reason I recorded with him. Kindred spirits/lovers of weird/funny shit.

2) Big Bottom

The fact that this song features not one, not two, but three basses plus the synth playing bass lines… Jesus fucking Christ. Maybe it’s only funny to musicians but I can’t imagine how terrible this sounded live. No frequency filling, just lots of bass harmonies, which shouldn’t be a fucking thing. So fucking funny and strange. Also, “My baby fits me like a flesh tuxedo. I’d like to sink her with my pink torpedo” might be the greatest couplet of all-time. Shakespeare ain’t got shit on Tap.

3) Sex Farm

Because.. Just because. The opening line is “Working on a Sex Farm…” What a ridiculous concept that even all the fucking jokes, which are awesome, seem to pale in comparison to this absolutely absurd premise. Also, the words “Sex Farm Woman.” Just, such geniuses who came up with this. The jokes about pitchforks, raising hard love, plowing wheat fields is all secondary to the immaculately genius idea of a “sex farm.”

4) Tonight, I’m Gonna Rock You Tonight

Umm, using the same word twice in the same title (and chorus) is amazing. I stand amazed by the fact that they say “not a dry seat in the house” in the first fucking line. The genius of these men cannot be overstated. Spinal Tap may be the greatest Rock N’ Roll band ever. Except for their “Shit Sandwich” album. I hear it’s not great…

Like the great Brett Favre, lists are better at 4, so we’ll stop there. But, honorable mention is definitely “Heavy Duty” for its’ use of the word “duty” which always makes me laugh. Especially the line “Heavy Duty brings out the dootie in my soul…”

OK, here are the greatest shows I saw while I lived in Portland, OR, which was more than a handful of years. Yes, that city sucks and I hate it more than anything in the world but I did see some amazing shows there, so below are the top 4. In any other city, I would have had to do a top 20, but in Portand, 4 will suffice. Even the performances of people I love like Ryan Adams, Wilco, the Hold Steady, etc. were less than spectacular due to the shitty crowds in Portland who are “too cool” to have fun at shows. Fuck that. Music is about communing in something that can’t be found anywhere else and can’t be experience outside that moment. I’ve watched Bruce Springsteen’s live at the Garden DVD probably 100 times and it didn’t even live in the same country from when I ACTUALLY saw the Boss at the Garden. Same for every other live DVD I own (and that’s lots). Anywhere, enough preamble, here you go":

1) Damien Rice - Keller Auditorium

Damien is the proud owner of 3 of my favorite all-time shows. For those keeping score at home, that includes all 3 times I’ve seen him live. The first time with a hundred or so people in Madison, WI on the inaugural stateside “O” tour. My buddy Jake kept making illicit comments about the girl dancing on the stage during the opening bands set, which turned out to be Lisa Hannigan. Turns out she’s pretty fucking gorgeous. We didn’t know back then…

The second time was in Chicago during the “9” tour. He was equally stunning. It’s hard as artists graduate to larger and less intimate stages to see if they can maintain their awesomeness. Damien did. He did in spades.

The third time in Portland, I took my girlfriend (at the time) who was skeptical at best to see this show. She was more interested in the opener Markéta Irglová (from the movie “Once,” and a real life band I hear…) before we arrived. She proceeded to be mesmerized by Damien (as we all were) and occasionally I still hear her talk about how “sexy” he was, especially on “Me, My Yoke and I.” I have to say, she isn’t wrong..

2) Joanna Newsom - Schnitzer Hall

This was on the “Divers” tour. Needless to say, my girlfriend (at the time) was equally not excited to Joanna. I assured her it would be amazing, but had to almost force her to attend. You can always tell a great concert when two people who are really into each other (sexually) don’t speak or even look at one another for almost two hours. I actually forgot I bought a drink and it sat there half-drank for two hours until we left and I realized I paid $12 for a shitty whiskey and promptly poured it down my throat. But, it was the second time in a year that I totally blew her mind with a live show recommendation. Though, the flipside of that is that she didn’t want to come out to many more shows since nothing would compare to Joanna and the kind himself, Damien. Fair…

3) Bonnie “Prince” Billy - McMenamin’s Crystal Ballroom

It was the first time I ever got to see Will live. I had spent years living in areas he rarely toured, moving during a tour and missing the shows in both my new and old living places, and generally playing geographical “phone tag” with the man responsible for some of my favorite albums (“I see a darkness,” “Viva Last Blues,” and “Days in the Wake”). Finally, I got a hold of him. Yes, it was at one of my least favorite Portland venues. You know, the kind that sections off the front of stage area for minors and makes people drink in the back (Fuck you Berbati’s and re-opened Satyricon as well; both of which closed down shortly after I played them… The Jon Fickes curse continues…). But, the show was wonderful and to finally see my man Mr. Oldham was a treat. He’s a much better singer than he lets on and his band was amazing. Sure, they didn’t play many Palace era tunes, but this was like 10 years later so I’ll forgive him since he did indulge us in more than a couple “I see a darkness” tunes.

4) Shonen Knife - Dante’s

#4 was tough as there were a lot of great bands I saw in Portland, but were better at the shows I witnessed elsewhere (read: Ryan Adams, Wilco, the Hold Steady, Modest Mouse, etc.). Land of Talk or Helle’s Belles (the all-girl AC/DC tribute band) are my runners-up but it’s hard to top the random awesomeness of Shonen Knife. First, that night had started strange. My girlfriend, my buddy and his wife all went to this hipster fucking 90’s club because we wanted to get fucked up and sweaty dancing to ridiculous tunes (and hoping against hope that somehow, some way, they would play the Prodigy) but they kicked out my buddy because he was “drunk and couldn’t talk straight,” aka because he had one beer and he was born and raised in Scotland. Also, he had lived for over 10 years in America and his accent wasn’t that crazy, until about 8 more drinks. But since we got thrown out of the shitty hipster club, we wandered over towards Dante’s. Well, actually we were headed to Kell’s or that underground place that had cheap drinks and welcomed drunks when we decided to stop at Dante’s for some pizza by the slice. We hears some strange punk coming from inside. The show had already started so the bouncer let us in for free (after we explained what had happened at the other club). On stage were these three Japanese girls fucking rocking out and singing about how much they liked green tea. Needless to say, we were hooked. We got a Ramones cover shortly thereafter and we fell in love. I’m not sure how much of the show we missed but we still got to see an hour of their set and it was fucking magnificent. Fucking magnificent. I’ve been obsessed ever since.

It’s funny thinking back on the shows and how I’ve seen better shows in Seattle, Salem, Eugene and Spokane during my time in Portland, but the above were my favorite 4 in the city of Portland. An amazing group of performers trying their best to make a Portland crowd not be a bunch of fucking dicks and actually enjoy themselves for once…

(dictated but not read)

Two Words: Shit Sandwich

Two Words: Shit Sandwich

apologies are in order, or they would be if I WASN'T MOVING ACROSS THE FUCKING COUNTRY... aka Greetings from North Carolina!

I know, I know. I've been gone for two (or is it three?) weeks and you've suddenly realized how indispensable I am to your life. I, for better or worse, realized how much I actually like doing this blog, or weekly ranting/venting, however you like to frame it. But, alas, life moves pretty fast sometimes and I needed to stop and smell the roses before they passed me by. Oh, and I was busy going through, throwing out, selling, donating, burning, packing up into boxes then packing into a 7'x7'x7' POD (sorry, Relocube. U-pack, baby!) and figuring out how the fuck to fit the rest of what I needed/couldn't fit into the POD, sorry, Relocube (which was significantly less than I anticipated as waaayyy more fits into a 7'x7'x7' space than one would think), into the back of my car, which, by the way, I had to very quickly find as my previous car was suddenly unavailable to me. So, that was one week. Well, two pretty much, I guess, if I'm being honest. Turns out I had a lot of shit and I needed to clean house. I was so used to moving every couple years, and therefore, purging every couple years that I never really accrued "things." I just had a couple guitars, an amp and my Horicon Marshmen embroidered (says "Brad Wik" on the side pocket) gym bag that I got for being on the fourth grade basketball team filled with all my clothes/notebooks/etc. That was usually it. I would media mail any books, CD's (remember those? I do, turns out even though I've lost about 200-300 over the years, I still have about 600 or so; and that's not counting the 500 or so I have left of my first two albums, which I will be working hard to sell now that I'm out of the fucking black hole of a music scene most people call "Portland, OR") and DVD's (remember those? I do, turns out I have approx 350 or so. God, did I like to waste my money, and living space, on physical media... Oh, and speaking of taking up living space, I still have 200-300 of my vinyl records to sell too, which are in nice, carpeted Odyssey DJ storage boxes and have become part of my furniture, like TV stand and side table, until I find 200-300 new fans who still enjoy vinyl) and that was that. Simple. After 8-9 years in Portland (blech), I accrued slightly more "stuff." PA equipment, more guitars, my aforementioned CD's/albums for sale, T-shirts, etc. It all adds up very quickly and my back has been more or less sore for about three weeks now. I did get a Bear Mattress with Celiant technology (look it up, it's science and Tom Brady likes it) which is helping but I could still use some recovery time. Luckily, there's a pile of boxes staring at me right now from my new Charlotte-based apartment which need putting away. Wait, that's not lucky. Fuck...

Anyways, buried the lede. I'M IN FUCKING CHARLOTTE, NC NOW! That's right folks, I've moved all the way across the country and I couldn't be happier. I've lost like five pounds, been sleeping better, drinking less, and generally just assuming a much more positive demeanor. In short, life is good. What a strange thing to say, but it's true. I haven't felt this way since I left New York City over nine years ago at this point. Yes, it's humid. Yes, it's not a huge metropolitan city like NYC, San Francisco, Chicago, Seattle, or any of the cities I've lived in before but I love it already. The people here (so far) are wonderful and I've felt a renewed energy towards making music again. I've even taken on producing a couple podcasts for work. I saw lightning for the first time in years last night. My apartment has central heating and cooling! Everything I need is within 10 minutes in any direction. Everyone I meet isn't in a fucking band. Beer tastes better (they're not all fucking Xtreme IPA's out here!). Burgers can be had for $5. There's ample places to play music where the people actually kind of give a shit. Weird Al is playing here this week! With a symphony!

I haven't unpacked my record player, CD player or speakers yet (Project Debut Carbon for those keeping score at home), nor do I currently own a chair (I'm currently kneeling on the floor whilst writing this) so it's still a work in progress but things are happening! I wanted to give a quick update since I've been gone for so long (has it been two or three weeks? For real, I can't tell time anymore) and here it is. I'll be back later this week with another blog to get things back up to speed but I finally unpacked my computer and felt the need to jump on here.

Talk soon, 

(dictated but not read)

depression and... fuck it... aka... four ellipses in the title, good writing...

Finally home for a spell, I spent the week trying to re-spark my creativity which had waned over the last few months. Well, to be truthful, it has come in and out for the last few years. Making and releasing my last album “In My Youth, I’m Getting Old…” nearly killed me, with its myriad of issues, near-lawsuits, in-band fighting, just to name a few. It nearly broke my will to make another record. It didn’t, of course, and I’ve been working on two projects on and off for the past year or two. On and off because I can’t quite figure out what I want to do, how I want the songs to sound and feel like, how I will release them, EP’s vs. LP’s, and how I want to play shows and tour going forward. I’m making some big life changes very soon, which will help but ultimately I have felt like I’ve been floating in an abyss creatively the past year.

It’s not as if I haven’t been creating some amazing music or stopped writing altogether. Since my last album was released, I’ve probably penned about 20 songs. Not all of them are showstoppers, but I’m in love with at least half, probably like 12-15. I’ve recorded, re-recorded, re-mixed, and generally fucked with them until I hate them and then started over. Something was blocking me from wrapping them up. Something, indeed. It was me…

Depression is not something that is easy to quantify. I have it I’ve been told (not that I really needed telling). But the hard part is how it ebbs and flows, so suddenly and so drastically. Yesterday, I spent most of the day recording some amazing takes with some beautifully fucked up sounds that I lavishly spent hours playing around with. I couldn’t get enough of just hearing myself play and sing the new songs. It felt like it was FINALLY starting to come together into something coherent. The guitars were the perfect blend of overdriven, delayed and chorused, murky and flowing, distinctly wonderful and responsive to my every nuance and I felt as if I could bathe in them all day. And I did. It was magical. I was so inspired and so sure that my next (solo) album would be wonderful and be the first to reach a mass audience. There are so many people who could easily love not only the sounds but the stories. The album is a deep dive into my depression over the years and some of its consequences. The songs are insanely personal (somehow even more so than my last two albums which were all true stories as well) and I cannot wait to share them. I was so proud as I strummed and sang my heart out onto the (digital) tape.

It made me feel like I was back to the old me for a change. But the old me was in these songs, sad and struggling, unable to understand what and why this was happening. Why was everything seemingly conspiring against him and his happiness? Why can’t he accept the good things in his life and stop chasing the chaos? Why can’t he muster the strength, energy and courage to be the best version of himself and love himself in the process? Why does he continue to surround himself with people who don’t care and will leave at a moments notice? Why isn’t HE writing these songs instead of continuing to live them? Would writing these songs help him at all anyways? Didn’t seem to help me…

Those were the questions flowing through my brain as I listened to the playback. I started to fall back into him. I started to drink, a lot. I remembered I hadn’t eaten all day. I felt sick. I got light-headed. I lost the will to continue recording (my neighbors probably appreciated it, though). I hated music. I hated everything. I decided to get drunk, eat some pizza and watch “Get Him to the Greek,” my movie version of comfort food. So, that’s what I did for the next two hours. And after that, I decided, it was best to keep drinking until I passed out because if I couldn’t bear to sit alone in my thoughts for another minute. I turned back into HIM. I knew it was happening but couldn’t pull myself out. I sort of didn’t want to. I wrote three new songs just this week. Maybe HE knows what he’s doing. Maybe that’s just the process. Maybe I need HIM. I wish I didn’t think that was true…

I was grateful the Brewers game went long (18 innings) so I could continue to waste what was once a super productive day. I reorganized some of my record storage boxes as I watched the game drift into the night. I then convinced myself to stop feeling sorry for myself, go to bed, sleep it off and I would record again today. I left everything set up and it was all ready to rock n’ roll. I got up this morning, groggy and a little hungover, but mostly alright after a couple cups of coffee. I turned everything on and strummed a few chords. I was going to start with the last song I tried playing yesterday but couldn’t quite get right. I got about halfway through when I realized I wasn’t really giving it any energy. It felt slow and sad, but not in the right way. Another song maybe. I re-tuned my guitar and found myself halfway through another shit take. Suddenly, I started to sweat. I felt light-headed. I didn’t want to do this anymore. HE didn’t want me to do this anymore. HIS stories needed to stay untold for another day. HE won, again…

When I broke for lunch (some leftover pizza and a beer), I felt better. “Pack this shit up and watch TV for the rest of the day,” I said to myself. The Brewers were on, playoff basketball was on later. Perfect way to waste a Sunday afternoon. So that’s what I did. All I wanted to do was get back in the studio (read: second bedroom) and continue to make beautiful sounds that made me feel so magical, like a musical wizard, for hours yesterday. But I couldn’t. HE wouldn’t let me so I spent the next hour convincing myself I didn’t want to anyways. I wasted a perfectly good Saturday night and Sunday on being depressed. What a weekend…

When I said earlier that I had been tinkering on and off with music for the past couple years, this is what I meant. This is what happens. I don’t know if the songs put me in a terrible place because of the lyrical content or because Portland, OR has burned my will to be an artist to the ground, pissed on the ashes and then dropped a fucking bomb on those piss-ashes. These songs are about my time in Portland. Maybe Portland is trying to keep these songs away. Who knows…

Writing those words just now, maybe that’s it. Maybe the songs reminded me of how shitty it is to be in Portland and then I got sad that I’m still here. That happens a lot. I get angry and sad at the same time. It’s a weird, shitty cocktail of awfulness. Maybe that’s what they mean when they say “Keep Portland Weird,” as in “keep making people who live there feel a weird sense of dread every day.” Something I’m a big believer in is energy. Like all things have energies, even cities. But Portland actually has a vacuum of energy. Everything in nature needs balance so the energy of its’ inhabitants flows towards it and away from them. That’s why everyone whose been here for more than a few years hate life. Every person I meet who is still bursting with energy is new to town. It’s one of the easiest ways to spot a recent transplant. They still care about life and stand out like a sore thumb. Maybe I’m just jaded…

If any of you have days like this, I feel for you. It sucks. It’s hard. It’s a fight, daily. But know that you’re not alone and, at least one person, me, is right there with you. They may not mean much to you but I know just knowing that has helped me feel more human. And know I have some music coming that may help you feel less alone and that other people understand your pain as well and you’re going to be alright. I just don’t know when I’ll be able to finish it yet…

(dictated but not read)

Why the Good Doctor is Autism-racist (if that's a thing) and why House is much more realistic portrayal of Autism... aka Help an Aspy muthafucker out...

Bradley talks about being Injun Brad, Portland, OR, but mostly about what he thinks of the way people with Asperger's and Autism are portrayed in movies and television.  Bradley also gives some of his favorite (non-diagnosed) Asperger's/Autistic characters in TV and Film and explains why Rick and Morty may be the most important show on television for people with Asperger's and/or Autism.  Any reason to promote Rick and Morty is one Bradley will take, not that the show needs any advertisement at this point.  But, it does need to be recognized for its bravery in the field of Autism.  Thank you Rick for being a (semi) positive role model for us Aspy muthafuckers.  Thanks also to Dr. House and Han Solo, we are forever in your debt...