It's here! It's finally here!! aka... "Lookin' at Luckey," the video...

As promised, here it is fuckers:

This brings back wonderful memories of:

- How perfectly Sonora embodied "Luckey" for those three days of shooting.  I felt as if I was back with the real "Luckey" the whole time

- Brianne and Sara shining lights past the Thunderbird while Nate rocked it up and down, over and over and over...

- Sonora sitting perfectly still, take after take, for those shots in the living room of me rocking out

- Sara hitting her (not plugged in) keyboard so hard it made her fingers hurt trying to get noise out of it

- Sharing those wonderful bottles of water-wine on the roof

- The lady in the park who repeatedly demonstrated how many times Bill Withers says "I know" in "Ain't No Sunshine"

- Those Fucking Jibs

- The wonderfully weird boat parade on the Willamette River that night

- How much Kelly's Olympian didn't give a fuck

- How smoking way too many cigarettes in a row feels

- How many times someone commented on how I look like Ryan Adams

- How I loved it every time someone commented on how I look like Ryan Adams (one of my favorite artists ever)

- Getting to sit in an actual Thunderbird and how unworthy I was

- Thinking of how many fucking talented people were in that apartment that night

I could never thank Kevin Pietila enough for taking my Asperger's, non-visual memories of Luckey and somehow creating this.  It is beyond my comprehension how talented he is.

I am so grateful to all the talented people involved:  Kevin Pietila, Sara Morris, Brianne Kathleen, Jon Fickes, Sonora Mindwerl, Nate Ernst, Colby and, of course, me (just kidding, kind of).  They say it takes a village, but we did it with less people, more hard work and more skill.  But most of all, we did it...

By the way, Bradley is an awesome interview...

Bradley Wik Interviewed on Trainwreck'd Society...

A while back, before the new album was completed, I did an interview with Ron at Trainwreck'd Society.  Ron had some very kind words to say:

"I love music, but more importantly I love songwriting. I am a huge sucker for that beautiful singer/songwriter sound. I am that musically ill equipped sucker who has no artistic ability but has read too many God damned books, and feels like all music should be poetry. Poetry. That’s what it is all about! I’ve never understood some people, even those I respect and adore (I’m looking at you Marc Maron) who can say “I’m not a lyrics guy/lady”. In my brain, I can’t understand that. It’s about the fucking words, man! I want to hear that poetry set to a great guitar sound! Of course, if the guitar sound is not on point, it’s going to be awful. So, I think it all works together. I just put an emphasis on the words that are being sung so sweetly into my ears for my enjoyment.

 

And that is where I bring in the great Bradley Wik. Sweet shit, this guy is an amazing singer/songwriter. I dare say he is one of the best. I got a bit of flack some years ago for calling Eric Earley of Blitzen Trapper “the son that Bob Dylan wished he would have had”, but I dare say that Bradley Wik is tied with the genius of Eric (Again, I’m not trying to offend Jakob or his fans, it’s just a descriptor of talent, I love me some Wallflowers). I just love the idea of storytelling in musical form. And on far too few occasions we are unable to witness such beauty in song told as well as the likes of Dylan, Prine, or Cohen in this day and age. But, I truly believe that Bradley Wik is one of those guys that just fucking gets it. They have that emotional response to the world that should be required for all modern day singer/songwriters. Honestly, when I listen to this man, I want to do my damnedest to try and remove the idea of a “singer/songwriter” out of the equation, and just call them artists. What Bradley does with music is no different than what Ralph Steadman does with a canvas. It’s art that moves you in so many different ways. And it should be looked at as such.

 

So with that, please enjoy one of the best interviews we have ever had here at Trainwreck’d Society. He had some incredibly heart felt and warm responses during our digital interview, and I could not be happier to have been introduced to this beautiful human being. Buy his album(s), see his shows when he comes to your town, and goddammit love one another, I know this is what he would really want. Enjoy!"

EXCERPT:

Your 2012 release, Burn What You Can, Bury the Rest, is still one of those amazing go-to albums that never disappears from my playlists. It’s been a few years, so could you tell us how this record has affected you? Have you experienced much change since the album came out into the world?

I really didn’t know what to expect upon releasing that album. It was our debut record and my first record ever. I was very confident in the songs but secretly I was just hoping we could sell through the thousand or so CD’s that were sitting in boxes in my living room. I know so many talented people who have worked so hard and put all their time, energy and money into an album that sits in boxes, collecting dust in a closet. It’s such a disheartening thing to see. Music can be very cruel as there is no direct correlation between talent, work and success. But, we (with lots of help from my extremely amazing girlfriend) worked our asses off promoting and were fortunate enough to get lots of support for that record in print, online and from radio. The shows very quickly got better (getting paid decent money as opposed to a six pack of PBR and whatever tips we can scrounge up) and we had to get better as a result. The more we moved forward, the harder we had to work to keep it going. It’s sort of cliche, but we had to learn how to be a “real” band instead of four guys who play music, drink beers and do a few shows a month to try and impress girls. But I think the craziest thing was when the record first came out and I was still working at a local paint store, random people would come in and recognize me from the album they bought after hearing us on the radio or my picture on a show poster or article they read, etc. It was weird to be in dirty, paint-covered work clothes and have someone ask for picture. But that will always seem weird to me, I suppose. The album has a wonderful picture of my handsome face on it and someone always wants one when I’m tired and sweaty after a show or something. Go figure.

So, your song “This Old House” is a very important song to me, for reasons I can’t even fully express. Let’s just say it this song hit me at exactly the right moment in my life, and I interrupted it as such. But, now that I have the chance to ask you, can you tell us what this song is really about? What was the inspiration behind this brilliant track?

It warms my heart to hear you say that about “This Old House.” My goal in making music has always been to try and give back, at least a little, of what music has given me. Music has been the backbone of my life and I define chapters of my life through music. The Wallflowers’ “Three Marlenas” was my middle school girlfriend and, subsequently, my thirteen year old broken heart. Sun Kil Moon’s “Glenn Tipton” was the breakup from the first girl I ever loved. Springsteen’s “Racing in the Street” got me through the end of the next relationship. Jeff Buckley’s “Hallelujah” saved me in my darkest of days. I think my favorite thing about music is how personal it is and how the same song can mean so many different things to so many different people depending on when it passed through their lives and what they needed from it. A relationship with a song can be a very singular and powerful experience. As a songwriter, I’ve always felt that some songs come easy, and you just have to sit down and write ‘em out, but some songs you have to earn. “This Old House” was one I definitely had to earn. As a musician, I could talk about songs, especially my own, for hours on end (just ask my girlfriend…) but I’ll give the Reader’s Digest version. Buy me a couple bourbons sometime and I’ll give you the whole story…

I had been living with this girl for a little over three years. We met in Seattle, moved to New York City together and then headed back west to Portland, OR. We were young. She was just eighteen when we started dating. I was only a year older. She’d had a tough life up until that point but was strong and trying not to show it. We would end up going through a lot together, and the years we spent in New York definitely changed things for us both. Things were already pretty rough when we left New York for Portland and only got worse once we got here. Neither one of us felt a connection to Portland the way we did to New York, and we both desperately missed our old neighborhood in Brooklyn. Our lives were spent looking backwards, which is dangerous. But soon I had a new band and was playing music again. She never got comfortable. The relationship had gotten so bad that I kept hoping she would leave me. But she wouldn’t. We said horrible things to each other. It was obvious to everyone, except us, that this needed to end and we would both be better off apart. Finally, months later, we broke it off and she moved out. I, for emotional (and financial) reasons, had to move out of our apartment. I found the cheapest and shittiest place I could in the neighborhood. I didn’t have a car so I had a buddy help me carry all my shit down the block and up three flights of stairs to the new place. The only upside of the new apartment was that it had a fire escape that I could sit out on and smoke cigarettes and drink while looking out at the city. I never write songs when I’m still very emotionally invested; I want to understand what I’m writing about from both sides. It took months and months to get to that point. But one night, after a couple bottles of wine, I was listening to music and staring at the wall when it finally made some semblance of sense. Looking around, they never fixed anything in that apartment, they just painted over it. I could see nails, holes, painted over outlets, all sorts of damage, evidence of the people who came before me. I started to think about all the life that had happened in that shitty apartment. I wasn’t the first to live there and I certainly wouldn’t be the last… We’d had our good times and our bad times, and like most relationships, it was more likely to end than last forever. We were just chapters in the middle parts of our stories, with many before and many after.

To read the full interview, CLICK HERE

Aaron will be OK, won't he? Won't he? aka please, let him be OK...

He can't really be hurt, can he??  Depression and loss and Aaron Rodgers collarbone...

I'm not sure what the proper word is for, as our friends in NorCal would say, "Hella Devastated."  Thoughts and Prayers, of course, to all the victims of the wild fires.  Far more devastating than the Packers season but Aaron's broken collarbone is also causing a large amount of grief back in the great state of Wisconsin.  It's not as important but nevertheless...  It's been such a fucked up year with all the injuries.  In my 24 years of watching football, I can't remember (the drugs and booze probably don't help) a team this ravaged by injuries, at the same positions nonetheless, as the 2017 Packers.  I know, I know, Vikings fans mention they've lost their starting quarterback and running back as well, BUT we all know losing Sam Bradford is not the same as losing Aaron Rodgers.  Only the Patriots losing Tom Brady can compare.  But he's gone.  There's nothing we can do now except trust the process, get better every day, overcome adversity, yada, yada, yada.  I watched Brett Hundley's post game presser and I feel OK about our prospects.  It would be mental to torture myself and expect the worst (as I do with most of the things in my life), and he does seem like a very smart, confident, talented kid ready to make the most of his opportunity.  I think we will be OK.  I really do.  It may sound insane but I feel we'll be in good hands and ready to compete for the NFC North.  I'm not ready to give up, especially to the Vikings.  Fuck that.  We're coming for you.  When the 2013 season ended with Rodgers and Cobb coming back to re-enact the ending of "The Natural," I decided no season was ever really over.

Anyways, as I sit in the Marriott Springhill Suites in Bend, OR (a very nice hotel, I might add), I can't help but feel hopeful.  I want to thank all those who tuned in to my Periscope Live "Friday Night is for the Drinkers" Concert Series on Friday the 13th.  The theme was "Girls," as in the 2nd of my 4 part series about the things I write songs about:  Cars, Girls, Drinking and Rock N' Roll.  It ran longer than I anticipated but the topic of "girls" is so broad and covered 2 of my favorite songs ("Lookin' at Luckey" and "Just Like Jon Fickes") plus a live favorite that never made a record ("Johnny and Mary part II" sorry, no link as it's not released) that I couldn't cut down the stories and emotion of playing those tunes.  Also, I know, I know; Wild Turkey Bourbon?  Well, when you're traveling you can't buy the top shelf stuff as you need to buy smaller containers of alcohol, hence, the Wild Turkey; which I am finishing off tonight.  No, it does not have anything to do with those fucking god awful Matthew McConaughey commercials.  I just like decent, high-proof bourbon and my local liquor store doesn't have Knob Creek in pints.  Anyways, it was a fun show and I know I talked more than usual, but fuck you, that's my prerogative, and I'm the only one in the room for the shows, so I get to DO IT MY WAY.  Next PERISCOPE LIVE "FRIDAY NIGHT IS FOR THE DRINKERS" LIVE SHOW IS:  FRIDAY, OCTOBER 27TH AT 9PM EST/6PM PST.  Search "Bradley Wik" (@bradleywik) on the Periscope app or follow on your PC by clicking HERE.

As I've mentioned before, putting out this record has been one disaster after another.  Now, that I'm playing shows to promote this fucker, it's no different.  I was concussed for the month before and at least 2 weeks after my official album release.  Couldn't practice, couldn't play for that time.  Then, of course, I injured my left index finger (main guitar playing finger) playing pick up basketball with some younger kids (note:  don't play pickup basketball with younger kids.  They're much more spry and athletic).  I haven't been able to make a barre chord ever since.  Then, last Tuesday, I went to sleep OK and woke up not being able to move my wrist, which, it turns out, is important to playing guitar.  Bad dream, weird sleeping position, who knows, but it still fucking hurts.  My last Periscope show was excruciating and would have been worse without the Wild Turkey 101.  I still can hardly drive, open a bottle, take a shower, etc. without terrible pain in my wrist and finger.  It sucks not being 21 anymore and able to bounce back from any injury in 24 hours and having to deal with this shit.  But, I've no choice.  Hopefully, all this bad luck (the countless fucking disasters and horrible things during the recording process, mixing and mastering process) will yield an amazing reverse karma deal and will end up with me becoming famous, well, more famous than I am.  Hope-fucking-ly...  Speaking of Hope, nope, that's another blog.  Long story...

Still, I feel blessed to even be able to record and release my music.  Some fucking kid from Horicon, WI is getting radio play in Milwaukee, Denver, Anchorage, Vancouver, BC, San Antonio, Las Cruces, Boise, Murfreesboro, Piscataway, etc.  It's unbelievable.  If you like the record, don't forget to buy it on iTunes or get an actual CD or VINYL on CDBABY.  And buy one for a friend, or a fucking enemy, I don't give a shit.  Just support independent artists so we/I can keep making wonderful, amazing, fucking mind-bending, soul-fulfilling music.

By the way, if you're ever in Lebanon, OR, you should stay at the Boulder Falls Inn.  It's fucking awesome.  Great bar and even better bartenders (skip the restaurant and grab food on the second floor bar).  It has a Japanese Garden, which I love, the rooms are big and comfortable, the toilet capable of handling a big shit, it's brilliant.  Although, the Japanese Garden in Portland, OR refused to hire me because I didn't have non-profit experience, though the job was for a management of personnel position, which I had done for 3-4 years.  Fucking assholes.  They're so much better because their company doesn't make money for shareholders, though they make money just the same as I.  Oh, wait, they're the same.  Dickholes.

Fuck it.  It's still a shame that THIS VIDEO only has 19 million views.  Should be 1 Billion.  Or, at least, more than however many Justin Bieber has.  At least Shakira get her due, just watch THIS VIDEO.  Not sure how that is related, outside of the fact that I really like her, and she's ungodly beautiful.  I read in an article how one of her favorite bands was AC/DC, which immediately made me cum.  Just imagine this beauty rocking out to (my favorite AC/DC song) "Big Balls."  In love, hard.  So hard...

Wait, what was I talking about?  Not sure and don't care.  I'm just going to watch Shakira videos for the rest of the night.  Bye y'all...

Wait, if you're in the Salem, Keizer, Albany, Lebanon, Oregon area, I'll be playing a show at Conversion Brewing Saturday November 18th from 8-10pm.  If you're not, then check out my next PERISCOPE LIVE "FRIDAY NIGHT IS FOR THE DRINKERS" LIVE SHOW on:  FRIDAY, OCTOBER 27TH AT 9PM EST/6PM PST.  Search "Bradley Wik" (@bradleywik) on the Periscope app or follow on your PC by clicking HERE.

Peace Bitches!

What others are saying about BWC... (Also, many thanks for all the support!)

"Bradley Wik's "Some Girls (Still Love Rock'n'Roll)" is a really excellent example of what I have controversially (apparently) called the Tragic Woman. As the song unfolds, Wik's deep empathy and understand for the character is evidently clear. The subject isn't a source of objectification or moralizing. Whether or not this woman is real, in the song she is a complex and fully realized human. Straight cis male singer-songwriters of the world, take note: this is how you write a song about a woman."  - Rachel Cholst | Adobe and Teardrops (see full post HERE or click the image below)

"Today, Bradley Wik & The Charlatans are proud to release their first single, “Some Girls (Still Love Rock N Roll).” For those thirsting for a fresh rock n roll sound, Bradley Wik is the answer. Raw and unpretentious, the sound harkens back to the likes of Bruce Springsteen, Tom Petty, and the Replacements. No gimmicks, no frills. Just pure passion."  - Skope Magazine (see full post HERE or click the image below)

Also, I'd like to thank AMERICANA DAILY (click HERE) and our international friends at Leo Swiss Radio (click HERE) Velvety (click HERE) for supporting and promoting BWC!  Thank you all so much and I can't wait to release this album!!  September 15th is coming quick!  Big announcement early next week regarding how all y'all can catch moi, Bradley Wik, and see/hear moi (me?) perform live...  I'll be closer than you think...

Single Release/Feature - "Let's Go Out Tonight" - DOUBLE EDITION!!

"A Midwest boy searching for the music that once was and that could be once again, Bradley Wik is an outspoken realist and earnest romantic who sings of everyday men and women stumbling through life together."  - The Daily Country

"An unpretentious  heartland roots rocker that would make Mellencamp or Westerberg proud, "Let's Go Out Tonight," with its undeniably infectious melody and sweet harmonies, tells the real, relatable story of two people simply trying to figure things out."  - Tara Joan | No Depression

Click below for the full articles and to hear this exciting new track:

C'mon, I know you like to click...

I knew you did...

Click me, rough...

Yeah, like that...

Amazing to have this song debuted on two sites!  So many thanks to The Daily Country and No Depression for supporting BWC!  Remember, early next week I'll be announcing SOMETHING AWESOME surrounding how you can see and hear moi, Mr. Bradley Wik himself, LIVE and how I'll be closer to you than you may think...

Single Release/Feature of "Lookin' at Luckey"

"We’ve got an in your face feel-good rock song by Bradley Wik & The Charlatans today that’ll make you yearn for classic guitar-rock songs to make a roaring comeback. If what we can expect from Wik are songs like “Lookin’ At Luckey” – he might bring the revival all by himself.  - Jake Craney, Groundsounds | July 14th, 2017

Check it out here:

Click it, click it good...

Yeah, didn't that feel good?

There's a good quote in there from me about "Lookin' at Luckey" that you can't find anywhere else.  It's one of the few times my quote has been printed in its entirety, which is awesome!  Normally, they take my (way too long) quote and pick a line or two, but click above for my thoughts on "Luckey" in full.  Thanks again Jake|Groundsounds!

Keep an eye out for an exciting announcement in the next week or so!!

Single Release/Feature of "Some Girls (Still Love Rock N' Roll)" on Enter the Venture

"Wik’s songs are snapshots in life, from nights filled with dancing, drinking and laughter to dark nights of defeat." - Isiah Reyes, Enter the Venture | June 21, 2017

Check it out here:

Click Me...

We both know you want to...

As always, keep a good head and always carry a lightbulb...  Or, share this with your friends, both in real life (using your mouth and words) and online (using your mouse and keyboard, or however the internet works).  Either way is good with us...

Song Premiere "Some Girls (Still Love Rock N' Roll)", by Bradley Wik, on OPB Music

Bradley Wik and the Charlatans released their very first single, "Some Girls (Still Love Rock N' Roll)" and they are the featured song of the week by OPB Music.

“The song’s an unpretentious throwback, with lyrics about the pitfalls of playing the part of a rock ‘n’ roll singer.”

— David Christensen opbmusic | June 19, 2017

Click to read

you know you want to.

Want to know what "Some Girls" is all about?

Get the first listen and song premiere details here: 

http://www.opb.org/opbmusic/article/some-premiere-bradley-wik-some-girls-still-love-rock-n-roll/

we invite you to share this with your social media friends

and thank you for your awesome support.