Music videos are fun... aka... memories from Lookin' at Luckey

So, LAST WEEK I talked about my favorite memories from my the making of the MUSIC VIDEO FOR LET’S GO OUT TONIGHT. This week I’m going go over some fun memories from the making of the music video for Lookin’ at Luckey; which, for those who haven’t seen in it, here it is motherfuckers (but first, a quick, funny story. So, apparently I use the words “fuck” and “fucking” a lot in texts. For the first few months when I get a new phone, it constantly tries to auto-correct it to “duck” and “ducking” and I have to constantly change it back. After a while, it learns and stops. But, what I didn’t know is that now my phone tries to auto-correct “duck” into, yep, you guessed it “fuck.” Which normally is not an issue, but I was sending out a music business related email yesterday and was actually trying to use the word “duck” and almost pressed send before re-reading one last time. Luckily, I did not tell someone that I could “fuck in a little early before the show if you’re still around.”):

This video was also made by my very talented, and quite handsome, friend, Kevin Pietila. And, just like the Let’s Go Out Tonight video, he wrote, directed and edited this. He also did most, if not all, the camera work on this as someone had to back out last second. This was definitely a smaller video in terms of scope and crew versus the LGOT shoot. It still featured my wonderful and talented fake band, which in this video is just my buddy, Jon Fickes, on the guitar, and Kevin’s wife, Sara, who is a very talented songwriter, singer and piano player herself, on the piano. They, along with the addition of David Solomon on drums, were also the fake band in the Let’s Go Out Tonight music video. Oddly, no bass player in either video. Did eventually get to play an actual show with Jon and David once in Lebanon, OR. Good times…

A little bit of backstory. Kevin’s wife, Sara, and my wife, Brianne, initially became friends, first online and then in real life. I think I met Kevin only once when I decided I wanted to work with him. He’s just that charming. That, and he showed us a short film he had made, which was amazing. I knew we had to work together. I also knew I wanted someone with a strong creative vision. That was important since I have Asperger’s (essentially high-functioning autism, for those who don’t know), and one of the ways that affects me is that I have a very difficult time visualizing things that don’t exist. My brain works very literally at times. It’s why I struggle with fantasy or sci-fi movies, apart from Star Wars for some reason, but that’s pretty much the only one. I can’t do superhero movies, I struggle with period pieces, and shit like Lord of the Rings, forget about it. Because of this, I needed someone to create the concepts and write the stories for the videos. I gave Kevin a copy of the record and asked him to pick which song or songs he would like to do. He had complete creative control, within reason/budget. He immediately came back with the Let’s Go Out Tonight zombie story. I loved it. I was so excited and ready to go, but there was one problem: it was December. Can’t really do outdoor, overnight shoots when it’s 35 degrees and pissing rain all night (ahh, those Pacific Northwest winters. They’ll suck your soul away…).

We decided to do a second video and put the Let’s Go Out Tonight video on hold until summer rolled around. I asked Kevin what other song he would be interested in. He said Lookin’ at Luckey sort of reminded him of a relationship he once had. Perfect! We spent a few nights drinking and talking more in depth about the real-life relationships that went into that song. If you’re curious, it’s essentially two very real relationships cherry-picked to make one great song, if I may say so myself (and I may, as this is my fucking blog). He added in some of his own experiences and voila. A video was born. Now, for the memories, in no particular order. I could put them in some sort of order but that would imply that I plan these out and think about them and do actual editing on them. Nope, just a fucking random list.

(Editor’s note: we’ll see how this list goes as I’m really pissed right now. I just found out someone hit my car while it was parked in my apartment’s parking lot. The right front bumper was popped out a little and there’s fucking red paint that was scraped on. I’m also pissed since I have no idea when it happened as I so rarely leave the house these days. So, someone hit it hard enough to pop the bumper out of place, which luckily I was able to pop back into place, and leave paint behind. Fuck. Oh, and Portland, OR is charging me for an Arts Tax even though I moved away last year. I don’t mind supporting the arts but I don’t even fucking live there anymore. One last parting “fuck you” from my least favorite city in America. Well, fuck you too, Portland. Fuck you too…)

  • The drinking fake wine but smoking real cigarettes on the roof scene - One thing they rarely tell you about making any type of art is how long it can take. Making an album, a TV show, a painting, whatever, it always takes longer than you think. So, to combat this for a scene involving drinking we poured out the wine in the bottle and refilled with water. But, we should have rinsed out the bottle a few times before refilling with good ol’ H2O. What we were left with was a bottle of wine flavored water, which is not the tastiest concoction. But, it was funny as Sonora (the female lead), out of habit, would take pulls of between takes. It’s just what you do when you have a bottle of wine in your hand. Plus, it’s what you do when you are a little lightheaded from chain smoking American Spirits like it’s fucking 1963 again. I’m sure they make prop cigarettes but those in the video are most certainly not. When I stood up to go back inside, I thought I might fall off the roof. Luckily (pun intended?), neither of us fell off the roof, which would have put a big damper on the shoot.

  • The pretending to be asleep scene - This is where my true acting skills really shined. I can, and I don’t want to brag too much, pretend to be asleep fairly convincingly. I’m not going to say I’m the Leonardo DiCaprio of slumberland, but it’s probably the best acting I’ve done in any video to date. OK, maybe I was actually pretty good at being a zombie in the Let’s Go Out Tonight video. But, I still think I’m a better pretend sleeper. Probably because for a few takes I actually did start to nod off. When you’re laying in a comfortable Air BnB bed and your direction from the man behind the camera is just to lie still and don’t move, it’s hard not to. Maybe I’m just method, I don’t know. Oscars, here I come.

  • The fake performance scenes - OK, so this might be my favorite memory from the Luckey shoot. We did some really fun stuff and I credit Kevin for making these shoots so enjoyable. He really knew how to take care of his cast and crew. So, let me set the scene. We started this night doing the mingling intro scene and then the me singing to the frozen Luckey scene (up next). There was a couple other things to shoot (and I think I forgot to bring something so I had to run home quick) which backed up the shoot a bit, which always run a bit behind anyways. So, it was already around 11pm when we started the band performance shots. The Air BnB had a noise cutoff around then so we had to be super quiet. Usually for performance shots, you crank up the music so you can actually play/sing and it looks real. But, being too late for that, we had to keep volume super low. Here we are, almost no sound to play to and we had to (very quietly) rock the fuck out in the kitchen of this Air BnB. Not exactly the most Rock ‘n’ Roll thing but it looks great in the video. Jon and Sara both actually learned the chords/parts for the song so they could play it accurately. They’re such pros. But, my favorite part of this whole thing was how into the performance Sara got. She had already worked a full day teaching voice/piano before coming so she was already and understandably a little tired when she got there. By 11pm, she was teetering on the verge of exhaustion. But, she gave great performances take after take and was rocking out so hard she started to hurt her fingers because she kept trying to actually get sound out of the unplugged keyboard. But, as soon as Kevin once again said “action,” she was right back into it without missing a beat. Lots of hard work goes into these things and I’m grateful to people like Sara and Nate and everyone who sacrificed and pulled double duty to make these videos happen.

  • The me singing to frozen “Luckey” scene - This was just fun to be a part of. Performing is my favorite part of music, even if it is fake and just for a music video. But, watching Sonora sit perfectly still for take after take was mesmerizing. I can’t say enough how wonderful a job she did in this video and this scene is the epitome of that. Being there, it almost looked like we faked it somehow. She was so good in the video she actually made me look good too. Not an easy task.

  • The dancing around and singing in the town square scene - The scene where Jon, Sonora and I danced and sang in the little town square thing was shot at Portland’s Pioneer Square. Which, for those who don’t live in Portland, is a touristy spot during the day, but is just a hangout for the homeless at night. Yes, the scene looks great and it was fun to sing and dance around, but it was what happened right before that I remember vividly. Obviously surprised to see a group of young, good-looking people being filmed, everyone wanted to stop over to see what we were doing. After telling them it was for a music video, one lady decided she needed to tell us, and then sing it to prove her point, how many times Bill Withers says “I know” in the third verse “Ain’t No Sunshine.” “26 times,” she said. And then we got the full-throated rendition while she counted on her fingers. I’ll be damned, she was right and wasn’t too bad at carrying a tune.

  • The car scenes - That Thunderbird, which is owned and was graciously made available for the music video by Kevin’s dad, is, by far, the nicest car I’ve ever had the pleasure of sitting in and pretending to drive. It’s even the exact color I would choose if I won the lottery and someone sold me a massive 3D printer that can print Thunderbirds and somehow manufacture their combustion engines and exhaust systems and recreate era-specific details with precision. Besides that, it was fun to see how scenes like this come together. Having not done any real acting in my life (and based on the videos, you can probably see why), I was unaware of the magic of Hollywood in regards to driving scenes. So, this was my lesson. Nate, who was helping us out with a little bit of everything on the shoot, got behind and starting gently rocking the car up and down. My wife, Brianne and Kevin’s wife, Sara, were on the lights. They stood on boxes and held them up as high as they could and, upon Kevin’s instruction, would swoop them around to simulate going past street lights. All while I alternated between pretending to sing and pretending to look forlorn, which is essentially just my standard Bruce-Springsteen-from-the-Darkness-on-the-Edge-of-Town-album-cover look. Sitting in a beautiful car (that wasn’t mine) with a beautiful girl (who was only pretending to be with me) with a beautiful song playing in the background (hey! I actually get this one!), what more could a guy ask for…

  • The empty wine bottle - Again, here is the photo of my mementos from the music videos. The Thriller jacket and the fake gun were from the Let’s Go Out Tonight video. The wine bottle is from this shoot for Lookin’ at Luckey. When doing the pre-shoot shopping at Target, I was just grabbing things that I thought would look good on camera. The bottle had a pretty shape and a nice label so I grabbed it. The rose inside was fine, nothing special, but I mainly just wanted it for the look. It’s featured in a intro/outro scene. But, apparently I’m a lot smarter in my subconscious mind than in real life. I missed a detail that really would’ve sold it. Sonora picked up on it during the shoot. The name on the bottle: Sofia. Damn! Totally missed an opportunity to look smart, which doesn’t come around very often for me. People thought I was thinking these things out for a minute until I was like “wait, what?” Moment over. Back to being a dumb musician…

So, those are my favorite memories from the Lookin’ at Luckey music video shoot. If you have any questions about this or anything related to the video, feel free to leave a comment below. Otherwise, tune in next week to get my thoughts on the Friday Night is for the Drinkers video.

Look how fucking cool I look… Just kidding, the car is way cooler.

Look how fucking cool I look… Just kidding, the car is way cooler.

New Video Series - Why We Write (and How!) debuts today!

I’ve been away from the site for a while as it hasn’t felt appropriate to rant to about nonsensical things like HOW SNL CONTINUES TO NEGLECT MELISSA VILLASENOR’S TALENTS or about GENESIS, HALLMARK MOVIES AND NEWSRADIO. Those things don’t really seem to matter much to me these days.

In my last blog, I wrote that I, like millions of others around the world, am so angry that nothing seems to change no matter how often police are caught harassing, brutalizing or murdering black people. There’s never any accountability on the part of the police. Over the past month, I’ve been in awe of the support for the Black Lives Matter movement across the globe and am hopeful that this time is different. It definitely feels different. I hope I was wrong in that blog. I hope things will change this time.

I do want to announce that today I launched a new video series entitled “Why We Write (and How!).” In this video series I am deep-diving into songwriting with some of my friends and fellow songwriters. As the title states, I am asking why people play music, what got them started and how they go through the process of actually taking an idea through to completion. Along the way we discuss songwriting influences and other personal stories relating to music. I find it incredibly fascinating to climb inside the minds of talented musicians and think that you will too.

In the first episode, I talk with my good friend Jon Fickes. Yes, the very man who I used to introduce as “The Blind, Ramblin’ Reverend, Mr. Jon Fickes” when we were much younger and much more naive, thinking we would be the next two Bob Dylan’s, even moving to New York City to “sing the folk” as they say. Wait, nobody fucking says that. That’s stupid.

Jon and I have known each other for a long time and he’s been a huge influence on my musical career. The first song on my first album was one of his (“The Dark Lovely”) and I closed that album with an 8+ minute epic (“Just Like Jon Fickes”) inspired by both Jon and by one of his old folk songs called “Just Like Odysseus.” I’ve said it before and I’ll say it again, Jon is my favorite non-Bruce Springsteen songwriter. I really mean that. I thought I was pretty fucking talented until I met Jon. Hearing him inspired me to get better at my craft. Every time he’s shown me a new song, I’m like “fuck, I want to make something that good.” I thought my last album was pretty damn good until I heard HIS LAST ALBUM.

To this day, I still consider Jon the greatest folk singer of all-time. Bob Dylan may have a slightly higher peak (thinking “Desolation Row” or “Visions of Johanna”), but no one can touch Jon’s ability to channel and hit every corner of the folk genre. He can do it all. Epic tales of rambling or sailing the seas, a sad recounting of lost love, beautiful imagery to express his stories and emotions, the way he weaves his own experiences in fantastical folk tales, the fluidity of his harmonica playing, the way he can finesse his voice to fit any tune or word or emotion; I could go on and on.

And he’s tackles rock n’ roll/pop these days with the same ferocity. If you’d like to read about how I feel about his post-folk career, read my reviews of his first album “TRY AGAIN” and his lead single “DISTANCE RUNNER” off his second album entitled “Closer to a Ghost.” I love both records and I believe you will too.

If you want to take a listen, here are some links to listen/buy:

https://aviewofearthfromthemoon.bandcamp.com/releases

https://thefraidies.bandcamp.com/

To stay updated as I post more videos in this series, go to MY YOUTUBE PAGE and click subscribe so you’ll be automatically updated when they post in the future.

But, enough of my yappin’, CLICK HERE to watch the video on YouTube or just watch below.

It's here! It's finally here!! aka... "Lookin' at Luckey," the video...

As promised, here it is fuckers:

This brings back wonderful memories of:

 

- How perfectly Sonora embodied "Luckey" for those three days of shooting.  I felt as if I was back with the real "Luckey" the whole time

- Brianne and Sara shining lights past the Thunderbird while Nate rocked it up and down, over and over and over...

- Sonora sitting perfectly still, take after take, for those shots in the living room of me rocking out

- Sara hitting her (not plugged in) keyboard so hard it made her fingers hurt trying to get noise out of it

- Sharing those wonderful bottles of water-wine on the roof

- The lady in the park who repeatedly demonstrated how many times Bill Withers says "I know" in "Ain't No Sunshine"

- Those Fucking Jibs

- The wonderfully weird boat parade on the Willamette River that night

- How much Kelly's Olympian didn't give a fuck

- How smoking way too many cigarettes in a row feels

- How many times someone commented on how I look like Ryan Adams

- How I loved it every time someone commented on how I look like Ryan Adams (one of my favorite artists ever)

- Getting to sit in an actual Thunderbird and how unworthy I was

- Thinking of how many fucking talented people were in that apartment that night

 

I could never thank Kevin Pietila enough for taking my Asperger's, non-visual memories of Luckey and somehow creating this.  It is beyond my comprehension how talented he is.

 

I am so grateful to all the talented people involved:  Kevin Pietila, Sara Morris, Brianne Kathleen, Jon Fickes, Sonora Mindwerl, Nate Ernst, Colby and, of course, me (just kidding, kind of).  They say it takes a village, but we did it with less people, more hard work and more skill.  But most of all, we did it...

"Lookin' at Luckey" the live-action version aka... music videos are awesome

"Lookin' at Luckey" comes alive!

 

(editors note:  this was supposed to go up Tuesday.  Not sure why it didn't.  Fucking computers and internet things...)

 

GREEN BAY PACKERS WEEKLY UPDATE:

 

Unfortunately, I was unable to watch a single second of the Packers game as I was busy doing this:

 

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"What does making funny faces in bars have to do with not watching the Packers?" you may ask.  And you'd be right, if I wasn't being filmed doing it.  Because then it's cool and it's called a music video...


THIS WEEK IN MUSIC:

 

I was shooting a music video for "Lookin' at Luckey" this past weekend which was a fucking blast.  I got to work with some amazing people including the absurdly brilliant writer/director, KEVIN PIETILA, and the beyond beautiful and wonderfully-talented lead actress, SONORA MINDWERL.  And that's not including my other ridiculously awesome friends SARA MORRISBRIANNE KATHLEEN and A VIEW OF EARTH FROM THE MOON'S VERY OWN (JUST LIKE) JON FICKES.  It was truly a blessing to have so much artistic energy in the room(s) when making this fucker.  I had such a fun time despite learning that I am not quite as brilliant an actor as I assumed I once was.  That honor goes to Sonora and Jon Fickes, who were wonderful when "action" was called.  Give me a guitar, mic and a crowd and I'm in my element.  Give me words to say and a camera in my face and... not my element so much.  Although, I used to do a fantastic Jack Black/Tenacious D-type impression given the right audience.  I passed my high school speech class with a Bob Marley song ("Redemption Song") and Jack Black inspired improvised speech/performance.  I was tasked with performing this improvised speech in front of my whole graduating class later on, which I guess means it was pretty good.  So, I have that going for me, which is nice...

 

We did a lot of amazing things during the video but perhaps my favorite was this:

 

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What a beautiful car that I am so undeserving to even sit in...  This Thunderbird was amazing.  It's lucky you can't see below the waist on these shots.  Boners upon boners...

 

Anyways, more updates for you soon... So tired... Who knew video shoots were more draining than recording sessions?

New Jon(athan) Fickes material? Hell yes! aka... Fruit Pies strikes again!

A VIEW OF EARTH FROM THE MOON'S DEBUT SINGLE/VIDEO FOR "DISTANCE RUNNER" AND, OF COURSE, SOME RANDOM THOUGHTS...

 

As promised, here is part II of this weeks blog.  I wrote more than I anticipated about my beloved Green Bay Packers and then got caught up watching silly BRETT FAVRE VIDEOS, then LIVE GENESIS VIDEOS (Phil is such an underrated singer, probably due to his obsession with pleated pants), then SHAKIRA VIDEOS (goddamn, she's so sexy, like, way too fucking sexy), then, at five or six bourbons in, I forgot what I was doing and starting watching "Skins" on Netflix (Cassie still breaks my heart in each episode she's in) before drinking a glass of Kava and finally falling asleep...  Wait, what was I talking about again?  Oh yeah, music.

 

THIS WEEK IN MUSIC:

 

This week revealed the long-awaited debut single, and accompanying video, from Jon(athan) Fickes' new project called A View of Earth from the Moon.  The song, "Distance Runner," gives us a taste of what we can expect from his upcoming album "Closer to a Ghost" which will be released this Friday, 12/1/2017.  And, holy shit, if this is the taste, I can't wait for the fucking meal.

 

In "Distance Runner," Fickes is hurling choruses at us straight down from pop-heaven, delivering cheeky, yet clever (and seemingly throwaway, yet casually brilliant), lines like "your mind is like a blender, you're like a banana" while drenching us in wonderfully warm, distorted,  Oasis-style guitars that really tie the song together.  The crux of the song finally reveals itself when Fickes earnestly, and perhaps desperately, asks "Are you running away?  Or, are you chasing something?"  The juxtaposition of this revelation against the almost willfully-deceiving upbeat nature of the song underscores the sadness Jonathan is barely trying to hide from the world while calling for us to let it out and join him.  He knows what he's doing, and I love every minute of it.

 

There's a joy that comes through the music, despite it's underlying heartache, which can probably be attributed to Jonathan taking over every aspect of the music ("I guess you could call it a solo record because this was the first time I did everything by myself. No live band in the studio, just me racking up countless hours of studio time, haha.”) and forging this into "everything I've always wanted a record to be," according to Fickes.  The established history for singer/songwriters breaking off and bogarting an album is dim, but Jonathan pulls it off beautifully.  This feels like his most developed and complete album to date.  Yes, we reveled in the effortless genius of "Never Love Again (It's Doubtful)" but that turned out to be the carefully curated charcuterie plate before this, our veal parmesan of a meal.  We knew it would be delicious, but we didn't know just how fucking delicious it would be.

 

The video for "Distance Runner" is equally as fun as we follow Fickes on his journey through time and space.  OK, just through space, or, at least, the 180 miles from Seattle to Moses Lake, WA (Jonathan's hometown), as he laments his inability to literally travel back in time (HUEY LEWIS STYLE) and tries to live, if only for a moment, in the past by going back to his childhood home and playing music with his old friends in the living room of his parents' house.  The video assumes the theme of Jonathan trying to run, again literally, from his current state of loneliness and disappointment by temporarily escaping the temporal world and reveling in the comfort of a fondly remembered youth.  Despite this, and after his long journey, he dutifully turns and heads back to reality; almost as if waking from the dream or realizing the idealized version of returning home doesn't exist, or perhaps having already fulfilled his nostalgic needs there's no reason to stay.  Along the way, there are countless beautifully constructed shots as we take this idyllic trip alongside Fickes.  Kudos to the director who instills us with a sense of wonder while we root for, and hope, Jonathan finds what he is looking for, knowing full well it's probably just a momentary distraction from himself that he's after.

 

I was lucky enough to hear the album in total and I won't spoil it, but, Jesus, you're in for a treat (and so are all the rest of you not named "Jesus").  I'll have a full album review here in the next couple weeks, as I want time to fully marinate in the tunes like a soon-to-be delicious piece of chicken.

 

As always, keep a good head and always carry a lightbulb...